The Last Days of American Crime, Olivier Megaton's adaptation of a graphic novel by Rick Remender and Greg Tocchini, is an interminable bore.
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Why are South Asian Americans such good spellers?
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What better way to rekindle a dying relationship than to immerse yourself in a criminal conspiracy?
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The Wrong Missy, a "comedy" that's premised on sending the right text to the wrong person, is profoundly dull and deeply unfunny.
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How far would you go for a loved one who's been railroaded by injustice? Would you go as far as murder? That's the choice facing the cast of Netflix's latest Indian movie.
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In a time when everyone and his uncle has a Netflix comedy special, 23 Hours to Kill, is a great reminder of what a real one of those looks and sounds like.
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The Half of It takes the classic Cyrano de Bergerac story, puts a 21st century spin on it, and manages to keep it fresh, interesting and, most of all, fun.
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This is the Beastie Boys story as they fought for their right to party, not sleeping, surviving sabotage, and ultimately being intergalactic.
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Witness the true story of how two school administrators bamboozled their way into the biggest ever school embezzlement case in U.S. history.
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In Netflix's latest actioner, Chris Hemsworth plays Tyler Rake, a black market mercenary who is hired to rescue the kidnapped son of a Mumbai drug lord.
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An important reminder on the genius of Jane Goodall.
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They Shall Not Grow Old brings back to life footage from World War I and shows us the true devastation and horrors of war.
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Netflix's new romantic comedy, manages to single-handedly ruin love for everyone involved.
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Jim Jarmusch's The Dead Don't Die is a zombie comedy, with some wierdly meta police officers, set in small, rural, everytown USA.
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Is this the future of anime?
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Galder Gaztelu-Urrutia's debut feature is a savagely efficient parable about class, society, and the selfish nature of humanity.
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